TFN Book Reviews
| Star Wars: The New Myth | 3.8/4 |
| Star Wars on Trial | 3.4/4 |
| Republic Commando: Hard Contact | 3.8/4 |
| Shatterpoint | 4/4 |
| The Cestus Deception | 3/4 |
| MedStar I: Battle Surgeons | 3.8/4 |
| MedStar II: Jedi Healer | 4/4 |
| Yoda: Dark Rendezvous | 4/4 |
| Jedi Trial | 1.5/4 |
| Labyrinth of Evil | 3.5/4 |
| Revenge of the Sith | 4/4 |
| The Ruins of Dantooine | 3/4 |
| Tatooine Ghost | 3.5/4 |
| Survivor's Quest | 3.8/4 |
| A Practical Man | 3.5/4 |
| Recovery | 3.5/4 |
| Traitor | 4/4 |
| Destiny's Way | 3.8/4 |
| Force Heretic I: Remnant | 3.8/4 |
| Force Heretic II: Refugee | 3.8/4 |
| Force Heretic III: Reunion | 4/4 |
| The Final Prophecy | 4/4 |
| The Unifying Force | 3.8/4 |
| Dark Nest I: The Joiner King | 3.2/4 |
| Dark Nest II: The Unseen Queen | 3.5/4 |
| Dark Nest III: The Swarm War | 3.5/4 |
| Betrayal | 3.8/4 |
| Bloodlines | 3.8/4 |
| Tempest | 3.6/4 |
| Sacrifice | 3.8/4 |
Star Wars: The New Myth by Michael J. Hanson and Max S. Kay
3.8 out of 4
Good:
Like Chris said, this book is a must-read for anyone who thinks Lucas has lost his way. In fact, Hanson and Kay's analysis lends a dissenting voice to pretty much every complaint people have about Star Wars these days. Midi-chlorians? Check. Jar Jar? Check. Vergere's "Dark Side" philosophy? Check.
If there's one problem with fandom these days, it's that too many of us are ill-informed. Much like the Jedi Council, fans have grown bloated with a sense of entitlement, refusing to put aside their own personal Star Wars dogma and look at things objectively. With this book, people can learn to be more mindful of the Unifying Force, mindful of how things fit into the bigger picture. In other words, every Star Wars fan worth his salt should read this book.
Bad:
The authors, as of the original publishing, are 20 and 22 years old. While their ability to publish a book at about the same age as I is more than commendable, their own, shall I say, lack of experience shows through in fairly frequent editing errors. While understandable and in no way detracting from the overall quality of the work, they can definitely interrupt the flow of things for the more grammar-sensitive.
Ugly:
The looks on the faces of some fans when they discover Jar Jar actually has a purpose in this saga.
Star Wars on Trial
edited by David Brin and Matthew Stover
3.4 out of 4
The average fan's first reaction to Star Wars on Trial, one could be forgiven for assuming, is to wonder less about the book's actual content than about the conclusions it draws. Guilty or not, anyone who spends time thinking about the questions the book poses is bound to wonder whether their own perspective receives some degree of validation from the authors involved. It was not my initial intent to reveal the book's conclusions in this review, because such knowledge would inevitably taint one's future enjoyment of the book for the unbiased debate it's meant to be.
It turns out, however, that the book offers no conclusions: the "Verdict" section is essentially an invitation for readers to visit a web page and discuss the matter further with some of the creative personnel involved as well as other fans. Not only is this kind of disappointing when viewing the book as a self-contained experience, it also seems to indicate that no conclusion will ever be drawn by anyone. The web page's discussion forums, whose location I won't divulge here, don't look to have been terribly active in the time following the book's initial release last June, and there isn't even any kind of poll to gauge the overall reaction of people who did find their way there.
What makes this acceptable, though, and what drives me to reveal this to you now, is that it wouldn't really matter what conclusion was reached, either by the pros or the fans. The book succeeds not because of its ability to sway anyone one way or another, but because of the conversation. It might've been better, in fact, to call it something like Star wars: Perspectives; what makes it worth the read, and the lack of a verdict, is the plethora of fascinating points of view presented on both sides of the aisle: Star Wars as fantasy, and as the hardest of sci-fi; as anime, as parable, as cultural pariah, and as comedy; as a big, shiny sports car in Karen Traviss' driveway (read the book).
And besides: as defense attorney Matthew Stover, I think, would agree, the debate's very existence ensures that Star Wars comes out on top. The value of the saga, and by extension, this book, is inchoate in the fact that so many intelligent, creative individuals can each have a wildly different interpretation of it, without a single one of them being wrong.
Republic Commando: Hard Contact by
Karen Traviss
3.8 out of 4
Good:
It's been a while since I finished Hard Contact, and like The Cestus Deception, I find myself struggling for specific things to say about it. Unlike Cestus, however, I was consistently impressed, and am looking forward to Karen Traviss' upcoming role in the Post-NJO series. I see her style complementing Allston's and Denning's nicely.
I don't want to over-compare this book to its hardcover predecessor, but a lot of what I liked about Hard Contact is related to what I didn't like about Cestus. Both stories are pretty straightforward, with comparable levels of drama thrown in; said drama being more combat-related in this particular book than in Cestus, of course. The thing about Hard Contact, for me, is that the drama just seemed to work better. Scott mentioned the middle section feeling too slow for him, but I enjoyed the downtime every bit as much as I enjoyed the action. Occasionally (I'm thinking in particular of the Etain-Darman duel in the woods here), the book even hit that rare plateau where the images in my head felt truly cinematic. This doesn't happen for me unless I feel a certain closeness to the characters, and Traviss did a great job with the character work, especially on the clones. In fact, I'd go so far as to call the commandos the best-written clonetroopers we've seen yet. They certainly have more personality than Jangotat.
Hard Contact didn't impress me as much as Shatterpoint, nor did I enjoy it as much as Medstar, and that's probably why I don't have a lot to say about it. All I know is that I was pleasantly surprised. Or maybe not so surprised, given that Traviss' continuing involvement in the Star Wars universe was announced before I read the book.
Bad:
Etain, while generally a good character, drifted a little close to cliché at times. The concept of a less-than-masterful Jedi protagonist isn't quite as rare in this universe as the author seems to think.
Ugly:
I do believe the first scene with Guta-Nay contained one of the more overt references to rape we've seen in the GFFA. Nothing pretty about that.
Shatterpoint
by Matthew Stover
4 out of 4
Good:
Bravo. Bra-freakin'-vo.
As great as Traitor was, I suppose Stover was bound to do even better with Shatterpoint, as here he was able to formulate the entire story himself.
And better he does. I find myself struggling to even find the words to explain why this book is so good. Essentially, Stover's Star Wars is beyond anything that's ever been done before. Beyond Zahn, Stackpole, in some ways beyond Lucas. This book reads like a genuine action movie. Like a good action movie, I should say. Maybe I'm just not used to reading SW material free from the typical Luke-Han-Leia baggage. Don't get me wrong; I love those characters, but no matter how good post-RotJ EU is, you can't escape the fact that mythologically, their story is over. I'm the last person you'll see claiming Lucas' superiority over EU writers, but this is a very specific type of story we've all invested our time in, and because of the films' archetypal plot elements, there will always be something about books like this or Shadows of the Empire that the NJO will never have: mythological relevance. Maybe I'm overstating a bit, but I'll always have a place in my heart for filling-in-the-gaps EU over what-happened-afterward EU.
Nick Rostu is officially one of my favorite characters to come out of the EU. Comparisons to Han aside, the only other time someone like this has been done right in SW is Lorn Pavan in Shadow Hunter. I read a review of the new Tomb Raider movie a while ago, and to illustrate one of the main problems with the movie, the author drew a comparison to Indiana Jones as a better example of the adventurer. While Lara Croft always remained cool and collected, he said, Indiana Jones really believed he was doomed every time he got into trouble. That "oh crap, I'm in trouble" attitude is what made him such an endearing character, and it works now with Nick. We even get to see the contrast between both types of "adventurers", since Nick is pretty much glued to Mace's side the entire novel. This book would have been enormously less fulfilling if Nick hadn't been there to let out a string of expletives as accompaniment to Mace's "everything's gonna be fine" attitude.
Speaking of which, this book is a shining beacon in the history of handling profanity in Star Wars. No offense to Denning, but I'd much rather see something like "Joe cursed" over "'Bloah,' Joe said." While using virtually no actual naughty words (aside, I suppose, from "crap" and "hell"), Stover has managed to write a very vulgar book, befitting the nature of the story and of the characters themselves. The sheer number of oblique references to the F-newmythe-inspiring. While this may not match your personal taste, or what you like to expect from Star Wars, for me it's a welcoming touch of reality; you can't escape the fact that people swear, and goofy made-up expletives in a moment of tension only detract from the serious nature of the scene.
It's funny to see Scott bothered by the fact that so many people survived the novel; one of the biggest and longest-running complaints about the EU I've encountered over the years is that every big event is so self-contained; never-before-seen bad guy and secondary characters are introduced, then killed off or otherwise banished into limbo. While I'm skeptical that Nick Rostu and Lorz Geptun (a brilliantly handled antagonist, incidentally) will actually be seen much in upcoming Clone Wars material, I'd very much like to see them again and I'm grateful that Stover at least left the door open to the possibility. On a related note, it was also interesting that Depa didn't exactly "survive" the story, in that she wasn't taken back to her default position by the end. It'll be an interesting thread to tie up down the road, especially if she ends up appearing in Episode III.
I could go on and on, but you get the idea. Here's hoping Stover gets many more opportunities to blow me away like this in the future.
Bad:
I have literally nothing to say. Stover not writing any more SW after this; that'd be bad.
Ugly:
This book is all about the ugly, but I have to say the only moment that really grossed me out was the fungus growing on Besh right before he died. Yeeugh...
The Cestus Deception
by
Steven Barnes
3 out of 4
Good:
I originally didn't want to write a review of The Cestus Deception, and do so now mostly out of the desire to be thorough. The bottom line being, the book wasn't bad; it had some cool moments, the characters were mostly interesting, and the development of Cestus and the X'Ting was very well done.
Bad:
The book isn't bad. It just...didn't really do anything for me. Barnes had a decent (if not terribly innovative) plot, and good characters to work with, both pre-existing and original, but it felt...overthought, I guess. The melodrama surrounding Jangotat and his love interest, whose name escapes me, was really a lot more than I think was necessary, and while it's handled skillfully enough to not be grating (which, really, is a pretty big compliment), it didn't need to be there to begin with. You have to be an amazing storyteller to do the romance plot the way Barnes did and make it outright enjoyable, and I just don't think he was quite up to it.
Really, though, it might just be me. When I think back on it, I can't come up with a single aspect of the book that I disliked; in fact, more often than not I think "hey, that was a nice idea". I can't believe I'm mentioning Death of a Salesman again (see my Jedi Trial review), but this just seems like one of those times where a good book just didn't click with me. I'm more than willing to give authors crap for what I view as bad writing (see, again, my Jedi Trial review), but there's nothing bad about The Cestus Deception. That just happens to be the best thing I can think of to say about it.
Ugly:
The not-nearly-reinterpreted-enough "Jedi Flow" scene. Come to think of it, I guess there is one thing I disliked.
MedStar I: Battle Surgeons
by
Michael Reaves and Steve Perry
3.8 out of 4
Good:
There've been a lot of people complaining lately that the Clone Wars haven't had enough in the "Wars" department; lots of diplomatic missions, hardly any big Geonosis-level battles. Those people, I'm sure, will find even more to complain about with the arrival of the Medstar duology. Reading Battle Surgeons, it's almost as if LucasBooks is saying "No action? We'll show you no action!"
On the other hand, another thing it seems everyone wants to see these days is a new X-Wing series. Well, folks, for all intents and purposes, this is our new X-Wing series - no big movie characters, takes place away from the front lines, and anyone can die at any time. And Reaves and Perry, the authors behind two of my favorite Star Wars novels, fill those big shoes quite well. Especially when you consider that even the X-wing series had some battles. The scene on the cover is probably the only action scene in the entire book (not counting a couple Phow Ji melees we only see in holographic replay), and what we see on the cover is pretty much the whole scene.
Does this mean that there's nothing exciting in the book? Not at all. And when it is exciting, it's in a way that most big battles couldn't be, because you care about each and every one of the people involved. Hell, the most exciting part of the whole story involves the possible demise of...a musical instrument. It almost makes you (well, me, at least) retroactively enjoy some of the more epic Clone Wars stories less, because of how much tension and emotion Reaves and Perry extract from so little.
And speaking of emotion, this is where the real core of the book lies. Regardless of the amount or manner of action, the reason the X-Wing series was so good was because you liked the characters as much as, if not more than, the movie characters, and you worried constantly about what might happen to them, because there weren't any preexisting books to tell you which characters would still be around years later. Anything could happen. And anything can happen here, as evidenced by Zan's sudden death, and the deaths of three of the main antagonists.
There are lots of other things I could gush about - Den Dhur, the return of I-Five, the humor, and so on, but you get the idea. This book may not be high drama, but it's great drama. As far as I'm concerned, these guys are storytellers on the level of Zahn and Stackpole at least, and I hope they end up contributing as much to the EU as those two have. It's good to hear that Reaves has a post-III trilogy coming up; let's just hope that it won't be another seven years before Perry returns, as well. In the meantime, here's hoping the next few months go by quickly.
Bad:
Like I just mentioned, Healer doesn't come out until October! I guess we should be used to big waits between books, but when you look at the schedule for the whole year, it's kinda strange: Cestus Deception and Medstar I within a month of each other, then nothing for three months, then Medstar II, Jedi Trial, and Dark Rendezvous within two months of each other. Damn them.
There's one thing I'm not sure if I should designate as good or bad: the impact of the whole M*A*S*H connection. As the inspiration for the duology it's sheer brilliance, but it made for some awkward moments. Jos Vondar is a great main character, and I wouldn't want them to change him at all, but I found it impossible to read a single line of his without hearing Alan Alda's voice. Again, I'm not sure if that's really a bad thing, just...weird.
Lastly, I'm torn about the cover. It's very well done, and it's nice to see a *cough* detailed rendition of Barriss for once. But, as anyone who reads a lot of comics can tell you, rendering an impact (i.e. Barriss' saber in mid-slice) is almost always a compositional faux pas. It's like drawing a picture of someone getting punched in the face; it's much more visually pleasing to see the moment immediately after the impact, when the fist has completed its arc and the victim is falling backwards, than the actual instant when the fist and face touch. I know a lot of fans were less than impressed with Jon Foster's Force Heretic covers, but Refugee is a good example of this principle; the Ssi-Ruuk is about to fire, Jaina is about to swing her blade. Anyway, it's obviously a minor issue in the grand scheme of things.
Ugly:
Having to autopsy a Hutt. What do you use, a machete?
MedStar II: Jedi Healer
by
Michael Reaves and Steve Perry
4 out of 4
Good:
Back in my review of Ruins of Dantooine, I talked a bit about the different archetypes an author can use when writing a spy character, and how I felt the spy in that story had been mishandled, not so much because it didn't follow an archetype as because there was no apparent logic behind the path it did follow. This story is a perfect example of how to successfully handle a spy.
And yes, I'm about to address the identity of said spy, so if you don't want it spoiled, you'd better avert your eyes.
It could be argued justifiably, and Scott does so, that Klo being the spy was predictable. A short way into the book, we're all but explicitly told that it has to be either Klo or Tolk, because they're the only two onboard Medstar when the explosion occurs. Distancing yourself from the narrative and looking at this situation from the point of view of the authors, you're left with two possibilities: either Klo is the spy, and everything wraps up neatly, or Tolk is the spy, and Jos is left a shattered husk of a man. Clearly they wouldn't end the story that way, so obviously it's going to end up being Klo.
But then, upon their return, Tolk is acting strange in a way that jives well with how we expect the spy to be acting at this juncture. Might she actually be the spy? We're given no other reason for her new attitude, so the likelihood is at least considerably stronger than it was at first. Indeed, it's safe to say that that's pretty much the sole reason the whole thing with her and Jos' uncle was included; Reaves and Perry realized that her actually betraying the Republic would be too much of a long shot in the eyes of readers, and they had to take steps to confuse things (including, perhaps, the occasional forum post...).
Speaking of Jos' uncle, the change in Tolk's attitude ends up being the result of Kersos telling her Jos is better off if she leaves him alone, which is actually part of an intricate plan to test the depths of Jos' feelings for her. Some people may feel that this is a bit hokey, but as someone who's seen a good deal of M*A*S*H episodes, I'd say it fits right in, and it serves the dual purpose of keeping the spy plotline interesting while also spicing up what could otherwise be a stale romance.
Anyway, once we find out what's really up with Tolk, it's pretty much a certainty that Klo will end up being the spy (which Barriss figures out for herself soon afterward), but simply the fact that they took the time to work this in belies a commendable interest in keeping us guessing. Maybe I'm just gullible, but even after Tolk's situation was cleared up, I still wasn't ready to rule her out as the spy completely. Yeah, it would've been a shockingly cruel blow to the other characters, but this is Reaves and Perry we're talking about; each author concluded their sole previous Star Wars work with the death of their main protagonist (okay, so Dash Rendar didn't really die, but for all we've seen of him since then, he might as well have). If anyone was capable of going through with such a gut-wrenching twist, it was these guys. In fact, it was a lot like reading The Unifying Force a year ago. Of course on some level I knew Luke & Co. were going to survive, but simply the fact that I'd accepted death as a possibility made the story that much more engaging. I didn't really expect Tolk to be the spy, but I was just unsure enough to be concerned about it, which is a big achievement in the generally sunny world of Star Wars.
But like I said; maybe I'm just gullible.
Now that I've addressed all that ad nauseam, there isn't really a lot more I feel I need to say. As always, Reaves and Perry continue to bring a level of personality and charm to the GFFA that I have yet to see from anyone else in the EU. And speaking of things I haven't seen, Barriss overcoming the closest thing the EU's ever seen to a drug addiction was a very interesting idea, one that may have deserved more attention.
What the ending seems to be implying about the events of the forthcoming Coruscant Nights books is, quite simply, exactly what I was hoping for. Those stories' potential is now through the roof as far as I'm concerned, and Reaves is the perfect man for the job. Now if only we can get a new Perry story bridging the gap between the Black Sun of Medstar and that of Shadows of the Empire (or any new Perry story, really), I'll be happy. I really can't say this enough; why LucasBooks waited six years to invite him back is a complete mystery to me.
Bad:
Obviously, my perfect rating implies a lack of any serious complaints from my end, but there are a few things that I felt I should mention. I can't call them problems, because I don't think the book was any worse off because of them, but at the same time, it might have been better without them...if that makes any sense.
My issues with the book are all basically related to the amount of attention given to each part of the story. Kaird, as much as I enjoyed the character, seemed to be given an incredibly large amount of "screen" time, considering how little his exploits really affected the overall story. Sure, he was responsible for the whole bota mutation problem getting out the way it did, but would things really have been that different without his interference? The Republic would have found out sooner, but it's not like they didn't make out pretty well in the end anyway.
Similarly, as I alluded to earlier, Barriss' bota plot might have been deserving of more attention. I say "might" because it would depend largely on what else they did with it; take the addiction too far, and any complete recovery within the timespan of the book would've been implausible. But if they didn't actually progress her addiction any further than they did, what else might have happened? It's because of my uncertainty that I can't really fault the book for going the way it did, it's just something that I wonder about. I seem to remember reading somewhere that they were billing this as one of the hardest trials ever, and while I can certainly believe that it was, I can't help but think more could have been done to bring that across in the narrative.
Lastly, I think the relationship between Barriss and Uli could've been given more attention. I enjoyed their scenes together a great deal, and would've liked to see where the relationship went from there, but again, there was only so much more they could have done with it, so it almost seems like the romantic undertones were a wasted effort, when all the story ultimately required of Uli was for him to be a sounding board for the bota problem. Here's hoping their plot thread somehow manages a little more closure later down the line; in a throwaway line in Coruscant Nights, at the very least.
Wow. I wonder how much more I would've had to say if I hadn't loved the book.
Ugly:
Coruscant Nights #1: coming to a bookstore near you in, oh, about 19 months.
Yoda: Dark Rendezvous
by
Sean Stewart
4 out of 4
Good:
It's funny how things work out. If Escape From Dagu has looked just a little better to LucasBooks, we might never have had this. I won't bash Dietz, but the odds of that book having come anywhere near Dark Rendezvous are slim indeed. This book marks the official end of the Clone Wars novel publishing campaign, since Labyrinth of Evil is considered a RotS tie-in, and in retrospect, it's been a weird three years. As many people have been pointing out since Jedi Trial, the hardcover Clone Wars books (with, at least for me, the exception of Shatterpoint) have been lackluster at best and offensively poor at worst, while the paperbacks, the books that are supposed to be the less-important filler material between the Big Events, have been uninterruptibly excellent. As such, Dark Rendezvous was a great way to end the "series".
I'm at the point where it's getting hard to review Star Wars books, they've been so good lately. It's easier, I think, to wax poetic about a series of crummy books than about great ones; I find myself saying the same things over and over: enjoyable and consistent characters, both old and original, compelling story, can't wait to see more, and so on. Bad books, on the other hand, can be bad for all kinds of different reasons. Some of the specific points I can come up with:
Yoda: Sean Stewart said he was going for the Yoda of Empire, and he sure as hell nailed it. If anything, he's a little too much like he was in the Classic Trilogy, and doesn't quite mesh with the rest of Yoda's appearances in this time period. Nonetheless, it's quite enjoyable.
Humor: Naturally, it's possible to write a great book without humor, but I don't think it's possible to write a good Star Wars book without it. I'm one of the bigger Lucas apologists out there, but even I'll admit that the prequels don't match up to the classics in the comedy department, and sadly, neither does a lot of the literature. Stewart clearly knows what he's doing in that regard, though, and while he doesn't go to Allstonian levels or anything, he puts in enough funny moments, and makes them funny enough by far, to keep the book exciting. The amount of humor he extracts from the droids in this story in particular is a rare feat and worthy of praise.
Speaking of which, the fire-happy security monad deserves a special mention. Its short-lived plotline was not only quite amusing, but also represented a digressive sort of humor not seen often enough in Star Wars. In other words, there was no dramatic need whatsoever for its inclusion in the story, and while some feel that that means it shouldn't have been included, I think stuff like this is key to the real-universe feeling that's so important to the appeal of Star Wars. It's why I'm such a fan of Perry and Reaves.
Lastly, there's one more small matter: the story is simply spectacularly written. The book is filled with expertly crafted scenes, especially the final round of the Padawan tournament and, well, especially the scenes between Yoda and Dooku. It's obvious going into the book that their encounter is going to be the apotheosis of the story, and that puts a lot of pressure on Stewart: how does the great Yoda fail to bring Dooku back, since he's obviously still a bad guy later on? What's the nature of the debate? How do they both get away in one piece afterward? Very impressively, every question is answered more effectively than I thought possible. The role Anakin plays in the conclusion is, simply put, my favorite plot moment in the entirety of the Clone Wars. And I just read Obsession #3.
Bad:
Like I said earlier, Yoda can come across almost too much like his Empire incarnation at times, which, enjoyable or otherwise, makes things feel a little inconsistent. But only a little. The same goes for Yoda's oddly casual chat with an ethereal Qui-Gon. Isn't that Force ghost thing still supposed to be baffling to him?
That's all I can think of. Here's hoping Sean Stewart has a long Star Wars career ahead of him.
Ugly:
Thinking about how close we came to getting Escape from Dagu instead.
Jedi Trial
by
David Sherman and Dan Cragg
1.5 out of 4
Good:
Whew...let's see here.
I like the plot. I really do. Sherman and Cragg definitely know what they're doing with the military stuff, and there are some genuinely exciting and surprising moments in the story. The attention devoted to the logistical problems raised by war was occasionally entertaining and always enlightening. Anakin, a difficult character to write, was handled competently and with affection, as was Nejaa Halcyon, who came off believably as a relative of Corran Horn. This was one of the few books where I actually looked forward more to the Jedi scenes than the "regular people" scenes.
Bad:
This was one of the few books where I actually looked forward more to the Jedi scenes than the "regular people" scenes.
Odie and Erk. My God. I haven't hated protagonists this much since Death of a Salesman. The authors try. They really do. But it just doesn't look like they're very good writers. This extends to every aspect of the book but the actual plot itself, which, like I said before, was fine and occasionally great. I'll get back to that later, but I'd like to finish with the lovers first. Odie and Erk go through all the motions of a nice and classic romance story, but each one is handled horribly. Their interaction, right from the beginning, is nothing but reprocessed cliché (no, not even reprocessed; just regular old cliché) disguised as lighthearted flirtation and overplayed boy-we're-in-trouble-now joking around. Making jokes in dramatic situations is a very real defense mechanism, especially in war, and I'm sure the authors are quite familiar with it in real life, but they can't write it. Erk comes across less like Wedge Antilles and more like Ash; he's nothing but defense mechanism; a walking caricature. Odie isn't quite as bad, but like Willy Loman's wife, I hate her simply for her attachment to such human garbage. The culmination of this pathetic romance (and I don't mean the laughably implausible wedding, but man, wasn't that something? If Anakin Skywalker is the officiator of your wedding ceremony, what does that say about the stability of your relationship?) is when Odie is trying to get Erk away from the legions of oncoming battle droids, but he refuses to budge, shoves her away, and keeps firing. Maybe it's a realistic portrayal of some kind of battle madness or whatever, but to put it between two characters who are supposed to be falling in love, with no effect on their relationship whatsoever even though it practically got both of them killed, isn't just bad writing, it's irresponsible. From that point on, I could've cared less if a random meteorite fell out of the sky and killed them both.
Beyond all that nonsense, there are numerous examples of all kinds of bad writing. My first hint that something was seriously wrong was in an early confrontation between Pors Tonith and the technicians in the communications center; the technicians are hurrying to destroy the comm equipment so it's no good to Tonith, and he has them killed. The wording of their execution is forever burned into my brain: "They died when droids blasted them." See Droid. See Droid blast Jane.
The aforementioned problem of characters being far too lighthearted pops up throughout the book, and while I was able to buy Slayke and his gang acting the way they did, it still wasn't handled very well. It seemed like every time Slayke said something frivolous, they would go out of their way to mention that people chuckled in response. That's the literary equivalent of laughing at your own joke to get other people to think it's funny.
The one time where the writing problem really manages to overwhelm the generally solid plot is the final space battle. After my Odie and Erk diatribe, I don't even want to say anything about that, other than that it flies in the face of every last bit of common sense when dealing with space battles, in terms of drama, plausibility, and continuity. I'd have an easier time taking the space battle over Muunilinst in the Clone Wars cartoon literally.
Ugly:
The constant references to Tonith's damn purple teeth. Okay, it's gross, I get it. Move the hell on.
Labyrinth of Evil
by James Luceno
3.5 out of 4
Good:
Let's just get this out of the way: Labyrinth of Evil is not plotted normally. This would appear to be due to the fact that in a sense it's the first part of a duology, the fact that the main plot revolves around a mystery unraveling, and beyond that, I'd say it's partly just the way Luceno writes. I don't, however, think it's a bad thing. Structure is important in storytelling, but not more important than the story. If I'm telling a large-scale story, the resolution of which is contained within the story as opposed to further down the road, I'll probably (but not absolutely) have a standard three acts. If I'm telling the story of two investigators following a series of clues, the end result of which won't even be depicted in my story, I'll probably come up with something like Labyrinth. That is, a patchwork of scenes spanning a predetermined period of time. That's the kind of story Labyrinth is; it's also in many ways the kind of story the Han Solo Trilogy was: not "here's this huge thing that happened", but more "here's what happened between here and here". The last month of continuity before RotS being as crowded as it's looking to be, I'd imagine we're going to see a lot of Point-X-to-Point-Y storytelling, in order for everything to fit together. I for one am fine with that; it makes the passage of time feel more realistic. The month in question could even be viewed as a microcosm of between-film EU as a whole. The whole of the Clone Wars, as they've been presented these past three years, is not one big story; it's simply three years of hell, several chunks of which have been shown to us as self-contained, and ongoing, stories. Labyrinth is sort of like that, only on a smaller scale.
On top of all that, I'd say Luceno makes this type of thing work particularly well. I think The Unifying Force was in a lot of ways the same kind of thing in reverse; it wasn't so much a tale unto itself as it was a device for wrapping up eighty thousand things into a neat little ball, and making it entertaining besides. He did it there, and he does it here. Each of the many action sequences feels fresh and exciting; particularly impressive since they're almost all involving the same two people. Luceno makes Obi-Wan and Anakin both palatable and plausible; they feel like natural progressions of everything that's come before, yet it's occasionally surprising to see how much they've evolved, particularly with regard to Anakin's progression toward the Dark Side.
I feel like I should mention all the exposition, but there's not really much to comment on. I liked it all, was surprised by a lot of it (Sifo-Dyas really was just a regular Jedi who got killed? Who'da thunk?), and I'm looking forward, unspoiled as I am, to seeing how much of it - Sifo-Dyas, Grievous' history, Palpatine's master - is actually dealt with in the movie.
With regard to the, um, "current events" issue, I simply want to say that THIS IS WHAT HAPPENS WHEN YOU TAKE OVER A GOVERNMENT. I'll grant that the "Triad of Evil" and applause breaks in the State of the Republic take you out of the story, and anyone saying they're not intended as nods to real life is full of it. But for the most part, any similarity to actual persons or events is entirely coincidental. The stuff about liberty-violating security measures, terrorism, the media, etc. is WHAT REALLY HAPPENS. It may bear a certain resemblance to what many feel is happening in the United States right now, but it's also what happened in Germany. And Russia. And Rome. And so on. And we would be seeing it from the story of Palpatine no matter what climate it was written in; there's a methodology to turning a Republic into an Empire that's been historically proven time and time again, and Palpatine is nothing if not methodical.
Lastly, as always, I have to commend Luceno for his skill at bringing the universe together. Considering that this is probably the closest to G-canon an original novel has ever come, it's great to see how much extraneous stuff he can work in; a notable example being the completely unexpected nod of the head toward the eventual development of gravity well generators.
Bad:
One thing Luceno in particular seems to have issues with is typos. They were particularly bad in TUF, and they're back here, albeit to a lesser extent. Given the amount of editorial review this sucker must have gone through, I shudder to think how many misspellings there were to start off with. There were a couple very minor factual mix-ups as well, one in particular that stuck in my head being a reference to Aurra Sing being human.
Nitpicky stuff like this is really all I can come up with in terms of complaints; that said, the book was great, but not overwhelmingly so, as is happening often these days, so I'm compelled to give it a slightly lower score than this review would seem to suggest.
Ugly:
Poor Fa'ale's head-tail getting scorched off. Why, that's as bad as a human losing...um...nevermind.
Revenge of the Sith by
Matthew Stover
4 out of 4
Good:
You know, I just don't have sufficient laudatory resources remaining to do another Stover review. Just go here. Or here.
Bad:
The "This is" segments were a great device, but I have to admit, he came a hair's breadth away from going too far with them in Part 1. Seems like if the section had been a little longer we would've gotten "This is Obi-Wan Kenobi's overcooked lunch".
Ugly:
Stover didn't write the last two novelizations.
Star Wars Galaxies - The Ruins of Dantooine
by Voronica Whitney-Robinson
3 out of 4
Good:
A few months back, I found myself engaged in a lengthy debate with my lit teacher about whether or not a work produced for a specific commercial purpose could have any inherent artistic merit. Granted, almost everything gets put up for sale sooner or later, but this was in reference to, well, something along the lines of Ruins of Dantooine. Something where the idea didn't originate from the artist; a work that was, essentially, assigned. Especially given the commercial arts major in which I currently find myself, my stance was that basically anything is capable of having artistic merit. It could be argued that assigned works are less likely to have it, but just because someone pays you to paint a tree for the cover of their book about trees doesn't automatically mean it's commercial drivel. Maybe it's because of that that I'm as kind to this book as I find myself being.
Dantooine isn't a bad book. That might not be a shining endorsement, but considering it was completed in six months, by an author completely new to the EU, and only included elements available in a video game, it's saying a lot. To the best of my knowledge, Vonda McIntyre had plenty of time and space when working on The Crystal Star, and look how that turned out. Whitney-Robinson had the dual purpose of trying to tell a good story while also piquing people's interest in Galaxies, and she managed to do a respectable, if not uncanny, job with both. There were many moments in the book where I thought to myself "gee, I'd love to check that out in the game", and I also managed to get pulled into the story here and there, almost in spite of myself. So beyond the A for effort, I don't really have anything else in the way of specific praise for the book.
Bad:
That I couldn't think of more than a paragraph or so for the "Good" section reveals the main problem with Dantooine; there just wasn't anything to get excited about. I don't really have any major complaints about the book, but my lack of enthusiasm over the good stuff seems like something of a complaint itself. So here's a rundown of what did bother me:
Plot structure: this book can be both praised and criticized for its ties to Galaxies; while I really did get a good sense of the quest-based nature of the gameplay, it didn't exactly lend itself well to an overarching plot. Like Scott said; the heroes' main mission doesn't even take place until the last third of the book, and much of the rest of the story seems like it was thrown in for no other reason than to showcase adventure possibilities on each of the planets visited. This gets back to the whole "artistic merit" thing I mentioned; while I understand that the author was probably required to include the multiple mini-adventures, I can't help but feel that she could have tried a bit harder to incorporate them into the overall story. The mission to get the map on Lok was tangential enough, but at least it had a purpose in the grand scheme of things. When Dusque and Tendau go hunting for...well, genetic material or whatever it was, on Rori, there's literally no reason for it larger than boredom. The book is almost like three separate adventures, with the loose thread of Dusque joining the Rebellion running between them.
Finn's betrayal: while I agree with Scott that it was pretty obvious who the Imperial agent was, that in and of itself wasn't really the problem for me. There are certain archetypes out there when dealing with this type of character - either the good guys are betrayed 100%, which is usually the case when the author is going for shock value, or the traitor is slowly won over by the good guys, and is redeemed in the end. While I'm not saying Finn had to follow one of these paths exactly, there needed to be more logic behind him going the way he did. I think the story would have been better if it had alternated between Dusque's and Finn's POV, revealing from the beginning that he's the spy, yet allowing us to observe and better understand his initial motivations, change of heart, and ultimate reverse change of heart. As is, I can see no logical reason why Finn would have gone ahead and transmitted the information to Vader after seemingly being won over by his feelings for Dusque. All we get is Dusque's opinion that he was "too afraid of the Empire" to disobey. Okay, but why? And why did he seem to have decided against betraying the Rebels when they left Dantooine? And why on Earth did he need to stab Dusque? He was perfectly willing to lie to Vader about other details of the mission, so what need was there for him to actually try to kill her? I genuinely did like the ultimate resolution of his character, however; his hardening completely in the wake of the betrayal was well done. I just wish we'd gotten to see everything that led up to it.
Bottom line: no, this isn't the greatest EU story ever told, but it's still reasonably entertaining. While I don't quite share Scott's desire to see more stories in the OT time period just now (especially not with 18 years of almost-empty pre-ANH history about to go up for grabs), it was nice to get a quaint little Rebels vs. Empire story thrown in amongst three years of Yuuzhan Vong and Clones. Especially one that doesn't involve Han, Luke, or Leia.
Ugly:
The implied irony and humor in the Finn/fish hunter incident. That definitely isn't irony, nor is it terribly funny.
Tatooine Ghost
by Troy Denning
3.5 out of 4
Good:
I should say right off that I wasn't exactly excited about this book.
Sure, it was a story that needed to be told, given all we've been learning about the prequel era lately, but an entire book about newlyweds, on Tatooine, chasing a painting? Wa...hoo.
Thankfully, Troy Denning proved me wrong. Not only did Tatooine Ghost serve as the break from the NJO I didn't know I'd needed, it proved that the so-called "New Republic era" was still full of stories to be told. And Denning told this one masterfully, weaving elements of new (Wraith Squadron), old (Grand Admiral Thrawn), and positively ancient (the Squib race) EU with both movie trilogies to form a coherent, and deceptively simple, story that ends up being one of those great little tales that really makes this feel like a single, flowing universe.
Even if we weren't up to our ears in the NJO these days, TG would still be a very different story than what we're used to. It's not an epic story, trying so desperately to find things for all our favorite characters to do that it lacks any real development in any one character, nor is it a fringe book, casting the main characters aside and dealing with the trials and tribulations of characters many people haven't even heard of. It's simply....Han and Leia. Okay, Chewie and Threepio are there too, but you get the idea. Here Denning got the opportunity to improve upon one of the main problems this era had when it was first being fleshed out: inconsistency. Well, maybe inconsistency is a bit harsh, but essentially, every story seemed to show up almost randomly, with our characters starting out in essentially the default position, since there wasn't necessarily anything out at the time to tell the author where the characters had been up to this point. With TG, we now get to see Han and Leia evolve from the people they were at the end of The Courtship of Princess Leia to the people at the beginning of Heir to the Empire; the former overcoming his anger at the New Republic over the Isolder incident and coming to accept the necessity of Leia's job, the latter settling into her new role as a wife, and finally coming to terms with who her father was, the seeds of which were planted oh so long ago in The Truce at Bakura.
The main plot, the recovery of the Killik Twilight, was, well, good enough. It managed to remain interesting and entertaining, which is impressive seeing as how it takes up pretty much all of the 403-page book. Like I said before, it's rare to see an entire novel devoted to such a minor enterprise, and Denning deserves the highest praise for not letting it get dull. It also provides a good opportunity for some serious geographical detail work on Tatooine, adding what must've been around twenty new landmarks to an already well-documented landscape. It'd be interesting to see someone make a map that factors in all this new info.
The Shmi subplot, if it can be called that, was a nice treat. The journal entries were an interesting break in the tension of the main plot, and did a good job of filling in all the important stuff that happened between TPM and AotC. I think I actually felt sorry for Watto when I saw how he was duped out of ownership of Shmi, especially when it was revealed that he'd long ago deactivated her bomb implant thingy. I really hope we find out what ultimately happened to him someday.
The Thrawn stuff was great, of course, although the one thing that disappointed me about the book involved his role. I'll get to that in the "Bad" section. Generally, it was fun to see him getting ready for the big push, personally training his stormies, etc. Denning got Thrawn's attitude down, and having him be behind the book's Imperial forces definitely helped keep the chase interesting where normally we'd just be dealing with the typical bumbling Imperials.
Bad:
Around a third of the way through the book, something absolutely brilliant occurred to me. Thrawn wants to add the painting to his collection, I thought, and he anticipates his enemies' actions through their culture's art. The Killik Twilight is Alderaanian art. And who was the one person to outwit Thrawn? The one person who was able to go behind his back and bring his own bodyguard down on him? Leia.
In other words, I became convinced that we were getting a look at the reason things happened the way they did in the Thrawn trilogy. Naturally, Han and Leia would succeed in keeping the painting out of Imperial hands, I thought, which would result in Thrawn not quite getting a read on Leia's actions later on. As the story went on, I became more and more infatuated with the concept, but then the story ended. And the painting wasn't rescued.
Granted, we don't actually see the painting get sold to the Empire, so my theory could still hold true. But the fact that its fate is left ambiguous, I think, means that this probably wasn't Denning's intention, which was pretty disappointing. It's ironic, actually; I started out expecting very little from the book, and in the end, my sole complaint ended up being the result of inflated expectations. In any event, it's not really Denning's fault that this happened, but it did kinda leave a bitter taste in my mouth during the last few pages.
Ugly:
You want ugly? Try riding under a galloping dewback in the middle of the desert for a few hours, with your head resting in its water trough, while smeared with its waste from head to toe. Threepio may be annoying sometimes, but no one deserves that. At least he was switched off for most of it.
Survivor's Quest
by Timothy Zahn
3.8 out of 4
Good:
In a recent interview with SW Insider, Timothy Zahn said something to the effect of "I like to write a book so that people want to read it twice, so they can see all the clues being set up". That's about the best way I can think of to sum up this book. It's very different from the five Thrawn novels (for lack of a better term), and in a way it suffers for that. But as a compact, focused mystery-and-intrigue story, Survivor's Quest is one of the best yet to be told in the GFFA.
The Geroon/Vagaari plot thread, which would have been interesting enough even if they really had been Geroons, was a wonderfully executed and completely believable plot twist. This kind of thing is very hard for writers to pull off without being either too obvious or too out there, and this was neither. When Bearsh reanimated his wolvkil and sicced it on the Chiss, it required a tremendous effort on my part not to exclaim my surprise out loud, as I was in public at the time.
Despite the impressive complexity of the Vagaari's (and by extension, Formbi's) plan, I appreciated the fact that Luke and Mara were never really over their heads when dealing with things. Life-threatening situations, of course, are always more dramatic, but since we already know the Jedi are gonna be okay, I enjoyed the focus on our heroes' deductive abilities rather than their fighting abilities. It would have been easy to make the Vagaari an enormous physical threat to Luke and Mara, but two powerful Jedi getting their rears handed to them by some punks from the Unknown Regions would have been kind of ridiculous. Better that the Vagaari try to outsmart them.
Which brings me to Luke and Mara themselves. Anyone who says Zahn writes Jedi too powerful needs to read the destroyer droid sequence at the end. Between the two of them, it takes something like fifteen pages for them to outsmart a single droid. In many parts of the book (and this part especially), Luke and Mara's method of working through problems feels almost like a video game. That is, they try one thing, it doesn't work, they back off. They try another thing, it doesn't work, they back off. And so on. I can see some people saying that's a bad thing, but I think it's nice to see the protagonists not get everything right on the first try for once.
Lastly, the Outbound Flight stuff. I don't want to say a lot about this yet, since a lot of questions are still unanswered. Having to wait a year and a half for the rest of the story is frustrating, but I understand it being done this way. Dean Jinzler was probably my favorite new character in the book; his plotline was very entertaining, and I'm looking forward to seeing him in the prequel novel.
Bad:
While I understand Zahn not telling us much about the attack on Outbound Flight itself, why they hate the Jedi, and so on, there are some things that I still find myself curious about, that I'm afraid won't get resolved in the next book. What exactly was Car'das' role in all this? I guess it's possible that this'll be covered in the prequel story, I don't really see how it would happen, as I was always under the impression that he didn't start his organization until years after Outbound Flight; I can't see what role he could possibly have played in things back then.
Also, do Luke and Mara ever get the whole picture? I really would've liked to see them at least recover the operational manual by the end of the story; I can't imagine that they wouldn't've gotten it back from the Geroons after their defeat. Or at least gotten another copy from Fel later. Here's hoping Zahn does a short story or something after the prequel book (man, I'm tired of saying that. Someone give us a damn title!) that caps things off from Luke and Mara's perspective.
On the subject of continuity, there's the whole "Chak Fel" issue. While it's nothing that can't be worked out (for anyone who doesn't know what I'm talking about, the gist is that the NJO says that Fel has only five children, none of whom are named Chak), the Zahn-bashers now have one more thing to complain about; something that should never have been an issue in the first place.
Finally: like I said before, this book is very different from his other Star Wars novels. And while it's written well, I think I'll always prefer an epic, galaxy-spanning, fleets-against-fleets Zahn novel to something like this. Hopefully we'll get more of that next year.
Ugly:
Wearing a
wolvkil boa. No, wait, a live wolvkil. No, six live wolvkils. No, wait, three
hundred Vagaari. No, wolvkils with grenades strapped to them. No...well, you get
the picture.
A Practical Man by
Karen Traviss
3.5 out of 4
The best thing about Karen Traviss' Star Wars work, I think, is that it really feels like she cares about it; and not just in the way that Star Wars authors generally care about their creations (which they do, of course; I don't want to suggest otherwise). With Traviss, though, you get the feeling that she's as interested in seeing what else will happen to these characters as we are. The events depicted in A Practical Man serve a real function in catching you up on Boba Fett's life since his final chronological appearance (since which a long time has passed here on Earth), as well as establishing what all the things we've learned about Fett's early life have meant for the development of the preexisting, older Fett (confused yet?).
It doesn't seem, though, that that's why the story was written; Traviss could easily have related all the necessary information in only a handful of lines once we catch up with Fett in Bloodlines, her first Legacy of the Force novel. Instead, I think she was just plain interested; she wanted to explore who Fett was at this point in his life; how he would've interacted with the traditional Mandalorians she's spend so much time developing, and how he'd have handled the Yuuzhan Vong invasion. It's been well-established that she likes to create outlines of her characters' entire lives before delving into a particular story, and as prominent as Fett is in the canon, real character development moments have been few and far between (which is probably why some of us have had to hold up the occasional nuanced depiction in stories like No Disintegrations and The Last One Standing as signs of the character's evolution over time), so it's more than welcome now.
As for the story...well, it's fine. Traviss is good at what she does, and as a reviewer I tend to have more to say about what a given story means to me as an EU fan than what my reactions were to particular things that did or didn't happen in the story itself, especially with more tangential material like this (hooray for more Nom Anor, though). The most complementary thing I can say about A Practical Man is that I want to see more like it; both from Traviss and otherwise.
Recovery
by Troy Denning
3.5 out of 4
Good:
Denning did a great job of taking a couple little important bits of necessary plot and merging them into a coherent, and enjoyable, story. Here we get to witness the continuation of Han and Leia's reconciliation, which should be a big treat for the reams of fans who were more upset about this infamous bit of fallout from Chewie's death than about the death itself. Denning's definitely one of the better NJO authors when it comes to Han and Leia, so it was good to see him tackle this.
Moving on, Recovery also introduces us to Saba, Tesar, Krasov, and Bela, the Barabel Bunch who go on to play a big part in Star by Star and the rest of the NJO (oh yeah, and Izal Waz is there, too). One problem that can arise easily in a story arc like this is the quick introduction and departure of secondary characters as the author changes. Luckily, letting Denning fill in a story that happens way before SBS gives him a chance to prove that these people didn't just appear out of thin air a year later. In the same vein, this story is, I believe, the only time we've actually gotten to see Eelysa, the Master whom we discover trained the Barabel Bunch years ago. The whole bit with them convincing Thrackan that she's Jaina was pretty amusing (and helped to set up his role in Ylesia later on).
Come to think of it, handling large casts seems to be one of Denning's best characteristics. SBS had pretty much the most plot and characters of any single NJO book to date, and this story proves he was the guy for the job. Even throwaway characters like the merc group at the beginning are fleshed out and made memorable characters in their own right. As many times as people have been hired to kill/assault/kidnap a Solo, making one stand out is definitely a praiseworthy feat.
Our heroes' arrival on Coruscant serves as the bulk of the story's action, and it's surprising how much trouble they had to go through just to get home unnoticed. The whole sequence actually had a kind of eerie parallel to the post-invasion insertion of Luke's team in Edge of Victory (and the insertion of Corran's team on Garqi waaay back in Dark Tide).
I really liked seeing all the stuff with Leia's recuperation toward the end. Too often in the NJO a character is dealt a horrifying injury for the sake of drama, only to have the story skip months ahead to when they're fine again. Seeing everything Leia had to go through in order to walk again, with Han at her side, was very touching and gave us a level of intimacy we don't get often enough in the NJO.
Bad:
I know better than to expect spectacular covers from an NJO eBook (oddly enough, Saboteur's and A Forest Apart's were pretty decent), but this thing is just hideous. There are probably fifty redone color schemes they could've used that would've been better than this. There's a reason comic books only use green and purple for villains. In fact, the overall assembly of this thing is just awful. I've seen fan book covers Photoshopped from scratch that came out better. The fact that this is all I have to point out, however, speaks well for the story. The only real issue I have with it is the overall utilitarian feel things of this nature tend to have. Though Denning did quite well, it's hard to completely convince myself that Del Rey didn't just hand him a list of plot points and say "tie these up for us."
Ugly:
Dirty bacta. Not a fun concept.
Traitor
by Matthew Stover
4 out of 4
Good:
From the first page, it's clear that Traitor is unlike any Star Wars book we've ever seen. Stover's writing is much more stylized than the typical SW book, and when you're someone like me, who doesn't read any SF or fantasy but SW, it's definitely interesting to experience. Like Scott, I expected the book to be 292 pages of torture and philosophy. Unlike Scott, I was looking forward to that. The idea of tearing down a Galactic society and rebuilding it structurally and philosophically is what's always made the NJO so great to me; the same is true for the prequel era. I'd endure a fleet of Jar Jars just to find out what the next step in Palpatine's Big Plan is.Where was I? Oh yeah; Traitor.
There's a name for experiences like this book, but sadly, this isn't the appropriate forum for it. Let's just say it starts with "mind", and ends with another four letters. In other words, this book is the greatest thing that's ever happened to the EU. Sadly, there are a lot of people that won't enjoy it at all. There are fans out there who want nothing out of Star Wars but entertainment, and if that's what does it for you, you might be better off re-reading Enemy Lines (don't get me wrong; those are fabulous books, but they're just pure entertainment). Traitor, on the other hand, is enjoyable on a multitude of different levels; it shatters the entire idea of who the Jedi were; of how the GFFA works. Stover may not think any of the book's content should come as a great surprise to fans, but it will. The whole midi-chlorian mess proved that fans have a very dogmatic idea of how the Force works, and anything that forces them to look beyond that is dangerous to them. This book opens the door to all kinds of possibilities: Will Jacen continue using the "dark side", given his new understanding of it? How will the other Jedi react to his new philosophy? Could this change the way everyone, even Luke, fights the Vong?
And on top of that there is, of course, the pure entertainment factor. No matter how Earth-shatteringly philosophical a tale is, if you can't enjoy getting from point A to point B, the philosophy isn't doing anybody any good. Luckily, Stover shares Ganner's penchant for the flamboyant. Every single action scene had me at the edge of my seat. Every debate between Nom Anor and Vergere (or between Nom Anor and Tsavong Lah, or Nom Anor and Ch'Gang Hool...) had me beaming at such expert usage of my all-time favorite NJO character. I'm truly terrified to think of what might happen to him in Destiny's Way. Speaking of which, that was another high point for me; this is the biggest role Nom Anor's had in a book since Balance Point.
To reiterate, this book isn't for everyone. It's the nature of such monumental work to have a polarizing effect on those who take it in; you can't say anything of real quality without upsetting certain groups of people. But if you're the type of person who doesn't mind a romp through the fields of existentialism, who's willing to have their perspective of the GFFA rebuilt from the ground up like the Vong are doing to Coruscant, hold onto your hat. It's a damn treat.
Bad:
They left Nom Anor on Coruscant!! As many times as we've heard Nom mention his secret escape-to-NR-space-and-plead-for-his-life plan by now, I was dying to see it finally happen. There's no way Lah will spare him this time; the only plausible way for his character to move forward now is to force him to work alongside his enemies, if only to protect his own hide.
Ugly:
The cover. Oh yeah, and the amphistaff grove - great vacation spot, but I wouldn't want to live there.
Destiny's Way
by Walter
Jon Williams
3.8
out of 4
Good:
The hits just keep coming, folks. I was a little worried heading into Destiny's Way, largely because of how much I loved Traitor. When you like something as much as I liked it, the next thing in line not only has to stand on its own, but for many people, it has to measure up to what came before it; they figure there's no place left to go but down. Walter Jon Williams manages, however, to pick up Stover's coattails and not miss a beat. Well, maybe a 1/16 beat, but I'll get to that later. DW seamlessly continues the tradition of huge, sprawling ID4-esque (I like that movie; so sue me) hardcovers. DW also lives up to its hardcover predecessor Star By Star; the War & Peace of Star Wars, which is another big accomplishment. And considering the book is 200 pages shorter than SBS, Williams packs in a hell of a big plot. (Now would be a good time to mention that I took the liberty of waiting to read the eBook Ylesia until I reached its appropriate place in the middle of DW, which further stretched out the plot, not to mention delayed my completion of DW 2 months or so.) Oftentimes toward the end of the book, I found myself reflecting on related events from earlier in the NJO plotline, and was surprised when I realized they'd been in the same book. Much in the same way I, Jedi had two very disparate acts, DW almost seemed to be two smaller stories in one book: the reestablishment of a government, and the battle of Ebaq. Plus, of course, a thoroughly enjoyable subplot in between featuring the shining acme of Thrackan Sal-Solo's career as a Star Wars character.
Let's see, what else?
My comment on Thrackan pretty much reveals one of (if not the) best things about this book; WJW's handling of all my favorite characters. Vergere is every bit as mystifying as Stover wrote her, Lando and Karrde are running around being the kind of suave scoundrels only they can be, and Nom Anor completes (hopefully) his long, downward spiral into the depths of heresy; hopefully now that Shimrra himself wants his head, he'll finally be free of the shackles of his species and will start playing a more interesting part in the overall storyline. Oh yeah, and he outlived Tsavong Lah. So there!
Bad:
Getting back to that 1/16 beat, there are some things about the book that kind of irked me. First of all, it seemed about once every five pages someone's heart "leapt" in this book at some frightening or surprising event. Not only is that particular phrase a little overused, but I always thought "his heart leapt" was a sign of something positive happening. Secondly, there were a couple little details in Williams' writing that didn't really fit in with what has gone before in SW literature. The most notable instance is on Ylesia, where I distinctly recall Jacen shooting his X-wing's lasers while the wings are closed, which is supposed to be impossible. There were other things like this in the book proper, but they escape me at the moment, and you get the idea anyway. This kinda stuff is pretty forgivable for a first-time SW writer, but considering how many new writers the NJO has brought into the fold, mix-ups have been delightfully rare.
In the end, all these nitpicks are just that, and while the book would be better without them, I would be foolish to let them seriously tarnish my opinion of such a well-written and enjoyable book. Especially when it took me three months to read it.
Ugly:
Okay, the regular grutchins were bad enough. Now we've got 6-meter long grutchyna? Give me a voxyn any day.
Force Heretic I - Remnant
by Sean Williams and Shane Dix
3.8 out of 4
Good:
I knew it was coming. Ever since Ithor --and in many ways, since Thrawn-- I’d been waiting for Pellaeon’s shining moment, and it finally came. Single-handedly lighting a fire under the Remnant’s collective rear, he at long last gets to put some Moffs in their place, unite the entire Empire under one leader for the first time since Palpatine’s “resurrection”, and displays a tactical competence not usually seen in Imperial fleet officers. Even in Hand of Thrawn, ol’ Gilad never really got to show just how hardcore he can be. And few things are as hardcore as directing a battle from inside a bacta tank. Just imagine what things might’ve been like if this guy had been on the other side of the Galactic Civil War (although it remains to be seen just how much of who Pellaeon is today is owed to Thrawn’s influence). Here’s hoping he plays a much larger part in the war effort now that the Empire’s officially a part of the GFFA.
Nom Anor, Nom Anor, Nom Anor. As depressed as I was to see him abandoned on Yuuzhan’tar in Traitor, now that Shimrra himself is on Nom’s tattooed tail, he’s finally free to develop beyond the develop-plan-that-fails, apologize-and-start-over rut that he’d been stuck in since Vector Prime. And develop he does. Even I never really thought Nom had much chance of redemption as a character; the most I’d hoped for was that he would survive the NJO and become a pirate or something. But true to his nature, he’s surprised everyone and gone in a brand-new direction, the ultimate result of which I can’t wait to see. Something tells me he’s still not likely to survive the conflict, but could he possibly be headed for martyrdom instead of prosecution? Or at the very least, could he be responsible for the defeat of the Vong from within, as foreshadowed (in my estimation) by that quote at the start of the book? I’m giddy just thinking about it.
Finally, and though it probably wasn’t even the authors’ decision, I’m thrilled to finally see a NJO tale told in the most perfectly crafted of all story structures – the trilogy. Not that an enjoyable story can’t be told in two parts (or four, even), but there’s just something about having a distinguishable beginning, middle, and end that makes things flow better and seem so much more epic. Take, oh, the Classic Trilogy for example. Or the Thrawn Trilogy; which most consider the best EU story ever.
Bad:
As is often the case with the NJO, I have but minor nits to pick. A rare thing for Star Wars authors (to the best of my knowledge), the originators of this particular drama are from outside the United States; Australia to be precise. They make a laudable effort to write for American ears, but I nevertheless spotted a few instances where the language seemed off to me (most notably the frequent usage of the expression “get on”). I clearly can’t fault them for this, as it’s very much a personal issue (“get on” might even be used in some parts of America for all I know), but it was worth bringing up for the sake of Americanized readers.
Ugly:
The chuk’a. Think, anatomically speaking, about just where Nom Anor had been living. Better yet, don’t think about it.
Force Heretic II - Refugee
by Sean Williams and Shane Dix
3.8 out of 4
Good:
First I'd like to mention that Refugee was unique for me, in that it was the first book in the entire NJO that I read without knowing a single thing about it beforehand. And if ever I was gonna go into a story that way, this would be the story to do it with.
Force Heretic, so far at least, has been very different from the majority of the NJO in that the Vong aren't really the big villain. Sure, everything our heroes are up to is for the benefit of the overall war, but in Refugee (and to a lesser degree in Remnant), there's nary a skip to be found. Instead, the gang is doing some old-fashioned detective work, and it's a very interesting change of pace.
Through the Luke/Mara segments, we finally get a real look at Csilla, the Chiss homeworld. The conditions in which their species finds itself make their culture very understandable; stick a couple human families in Antarctica and see how their kids grow up. Chances are they'd mature faster than regular kids, and they'd have very little tolerance for goofing off. And who knows; maybe if that group was left to its own devices for a thousand generations or so, they might even evolve blue-tinted skin and glowing red eyes...but I digress. I was also thrilled to finally witness the return of Baron Fel to the EU (and what I'm pretty sure is the first-ever non-flashback appearance of Syal Antil - er, Fel. For the sister of a guy who had an entire series (two if you count comics) dedicated to him, it's surprising how well she's managed to avoid the EU spotlight all this time. Then there's Jacen and Danni. I've always adored Danni as a character, and after their first little quasi-romantic encounter at Helska way back in Vector Prime, I'd been starting to worry that the editors had forgotten about this particular coupling. Luckily, Destiny's Way put those concerns to rest (take that, Tenel Ka fans!), and I now get to watch Jacen, Big Hero of the NJO whether you like it or not, finally get what he deserves: some affection from someone other than Luke. I was understandably perturbed by the interruption of their conversation at the end of the book when Jacen had his revelation about Zonama Sekot, but hey, that's what Reunion is for. I can't wait!
Another interesting point is the addition of (gasp) regular books as an obstacle in the heroes' path. As eBooks and PDAs become more and more common here on Earth, the concept of a society whose members don't even recognize a book when they see one is both fascinating and eerie.
Then there's Bakura. This would be a good point to emphasize one of the Williams/Dix team's biggest selling points: research, research, research. These books have had an impressively Luceno-esque level of incorporation into the fabric of the EU. Frequently the savvy reader will stumble across obscure little bits of info that the authors had no business even knowing in the first place; the story of Valara Saar and Yashuvhu being a great example. Taking the throwaway drunken bigot Cundertol from the Black Fleet Crisis and making him a main character with an important role in the unfolding mystery was a great touch. And boy, was that mystery an interesting one. The Bakura/P'w'eck situation as it's revealed to us is really a work of art. The complexity of the Keeramak's plan, double-shifting alliances, and the enormous amount of players (no two of which seem to be on the same side) all manage to keep things riveting throughout what is by far the biggest storyline in the novel. And then there's the out-of-nowhere reappearance of the HRD droid as a plot device. When I first read Shadows of the Empire, I was worried that the idea of a droid who could pass for human could become a fallback for anyone who wanted a plot twist (Winona Ryder, anyone?), but surprisingly, this is the first time since Guri (I believe) they've ever even come up. And the entechment technology adds a whole new level to the concept; who's to say that Cundertol, enteched life force operating a practically-organic-yet-drastically-improved frame was truly any less human than anyone else?
Nom Anor. I really don't think I need to say much more on his role in this trilogy than I did in my Remnant review; especially since here his role is reduced to only a handful of scenes (all absolutely riveting, despite what Scott says). I do feel obligated to mention the confrontation with Ngaaluh, however. From the moment her scene began I had great hopes for what she could mean for Nom's development as a character, and when it looked as if she was about to die, I was glued to the page to a degree that few Star Wars books have managed in the past. It was all I could do not to cheer out loud when Nom revived her. Keep up the great work, guys!
Lastly, I have to disagree with Scott one more time and say that I love Jon Foster's work with these covers. They may not be neat and tidy interpretations, but they're alive with a gritty energy we never usually see on SW paperbacks; let's not forget there's a war going on. Jaina can fix her makeup later.
And let's also keep in mind that this is the guy responsible for getting Aayla Secura in AotC. We EU people owe him big time.
Bad:
There is literally only one thing in the entire book that bothered me: large as they may be, I find it very hard to believe that a Vong could really pass himself off as a Ssi-ruu. Not only do their extremities look a little too small in places to properly conceal a Vong arm or leg, but just imagine trying to mimic a Velociraptor-like walk and posture all the time. You'd have to be a very small (and patient) being to pull off something like that.
Ugly:
What's with every name in the Fel family coming from Syal's side? Jagged is her father's name, and Wynssa was her stage name; even their yacht was called the Starflare, the other half of her stage name. I'd say it's pretty clear who wears the Corellian bloodstripes in that family.
Force Heretic III - Reunion
by Sean Williams and Shane Dix
4 out of 4
Good:
If anyone out there actually pays enough attention to my reviews to notice patterns, you may have realized a common element of my reviews lately. Starting with Destiny's Way, I've given all the NJO Books 3.8s; better than 3.5, but not quite 4. The reason for this is my rating for Traitor: 4. I figured it to be pretty much a perfect Star Wars book, and so from then on, if a book wasn't as good as Traitor, I couldn't in good faith give it the same grade as Traitor. Then somewhere around the middle of Refugee, I thought to myself, "self, this Force Heretic trilogy is shaping up to be pretty darn good. Maybe not quite as enjoyable as Traitor, but mostly flawless nevertheless". As a result, I decided that if, at the conclusion of Reunion, I hadn't found anything downright objectionable to report, I would give the book a 4, thereby giving the whole trilogy a sort of unofficial 4. And that's what happened. This trilogy wasn't as good as Traitor, but it's solid, consistently entertaining, occasionally spectacular, and to paraphrase Carolyn Burnham, it didn't screw up once. Moving on to Reunion in particular...
Zonama Sekot: the best thing about this whole part of the book was the great lengths it went to to say "So, you fans don't know what Sekot's supposed to contribute to the war? Funny, neither does Luke." The idea was always simply that Vergere said it was the key, and Luke and Co. were going on her word, without specifically saying what its purpose would be. Unfortunately, some people never quite got that, and spent the entire trilogy asking what the point of their quest was. Finally, that very question gets some real coverage. Granted, we still don't know what Sekot's purpose will ultimately be, but we're in the same place our heroes are, and isn't it more fun that way? Seeing Jabitha again and getting a refresher course in the events of Rogue Planet was nice, too, as I'd pretty much forgotten the entire story beyond "Hey, didn't they have the Death Star in there somewhere?" Funny that Lucas ended up having the same idea.
Esfandia: for starters, I loved the Cold Ones. Williams and Dix have given us one of the most unique and interesting cultures in the history of the GFFA. Here's hoping Leia was right about the battle triggering an outward surge in their culture. I can see it now: Tales of the Brrbrlpp Commandos, coming in 2006!!
As always, Pellaeon was great. His little chat with Vorrik in Remnant was easily my second favorite moment in the trilogy, and it was cool to see he'd still been screwing with the poor guy. The concept of gaining an advantage over the Vong by, essentially, pissing them off is a very entertaining one to witness, and I do believe this is the first time we've seen it since Lando's droids at the beginning of Rebel Dream ("We are machines! We are greater than the Yuuzhan Vong!"). Alas, Vorrik's rantings will be missed.
Nom Anor: great at always. Although his role in Refugee did include my favorite moment in the trilogy, overall he didn't have nearly as much going on then as he did in Remnant, and does again in Reunion. While they didn't take him in quite the direction I was expecting at the conclusion of Remnant, Williams and Dix do probably the best rendition of Nom since Greg Keyes. While I saw Ngaaluh's death coming, it was a shame to see her go so soon, especially after her fantastic introduction in Refugee.
Another thing I saw coming: Droma being in charge of the Ryn network. Very cool idea.
All in all, this has been a great trilogy; taking the characters beyond what we've seen before (Tahiri and Nom in particular), yet meshing flawlessly with the rest of the universe, and with the Star Wars feel. We've seen some great new cultures, learned about pre-existing yet lesser-known cultures, and gotten updates on cultures we just haven't seen in a while. We've visited the boundaries of morality, conduct, and ethics, from the points of view of the Jedi and others, and we've had some moments that just plain kick ass. We've also had three unique and powerful covers by Jon Foster, despite what Scott says. Just goes to show you; you may score the occasional victory against it, but the NJO will always strike back.
Bad:
Luke and Mara sure do say "my love" a lot.
I was disappointed to see Ngaaluh die. What? I mentioned that already? Oh, yeah. Um...I think I saw a typo somewhere toward the end...
Ugly:
Wonder who had to clean the Brrbrlpp remains off the Falcon...
The Final Prophecy
by Greg Keyes
4 out of 4
Good:
Let's go back to the Galactic Civil War for a minute. Say it's about a month before Endor, and we throw Darth Vader, Thrawn, Bevel Lemelisk, Luke, and Han (out of the carbonite) in a ship and send 'em on an adventure together, over the course of which they engage in several coffee shop-esque discussions on the philosophical issues the war has brought up. All without attacking each other. If that sounds interesting to you, you'll enjoy this book. Seeing as how this book introduces, to Nen Yim at least, the solution to how we can all just get along, it's fitting to pepper it with GFFA/Vong debates on the ethics of everything that's going on. Forgive the misnomer, but the Vong are finally starting to look human after all. Harrar, after fading in and out of the plot for years, finally gets some real dimension. His talks with Corran were the best parts of the book; especially concerning Ithor. That Keyes could take a B-level villain with all of three or so appearances in the NJO before now and, in the span of 300 pages, make me like him and mourn his loss, is truly impressive.
That seems to be one of the things he's best at; really giving his characters, well, character. His Corran is a logical progression of Stackpole's Corran. His Tahiri is completely in line with the Force Heretic Tahiri; even down to her calling Han and Leia "Anakin's parents", which to be honest, is something anyone with their relationship would do; whether Anakin had died or not. Poor Nen Yim!! I was downright giddy by the time she died; her budding friendship with Tahiri was the first credible such hero/villain relationship yet to be seen in the NJO. When she rushed off to ponder what she'd learned from the qahsa, I was filled with outright "everything's gonna be okay" glee. She knows the solution! Hooray! And then...
Ah, Nom Anor. As anyone who follows my reviews (as, it turns out, some people do) knows, this guy fascinates me. A race of fanatic warriors as villains is all well and good, but Nom's the one character who's really kept the Vong interesting all along. Simply by being a different kind of evil, he was the first sign that the Vong were redeemable, that it was possible to tear them away from their religious fury. I'm actually starting to tire of praising this guy, so I'll just take another moment to register my continued approval of his role thus far, and to day I'm looking forward to seeing how the comeuppance I assume he'll be getting in TUF is handled.
The Bilbringi plotline proved that space battles in the NJO can still be interesting; it also proved that Keyes knows his EU history. Or should I say his revisionist history; Thrawn had a cloaked Golan II, Pellaeon had a son, and most shockingly of all, Lieutenant Page had a first name. Very interesting. Here's hoping he and Pash Cracken are still kicking somewhere.
I could say more, but with TUF right around the corner, and this being very much the first half of the NJO's final story a la Empire or Matrix Reloaded, I'm gonna hold off a bit for my next review. Bottom line is, I enjoyed the book tremendously, and I can't wait to finally find out what the story is with that damn living planet.
Bad:
Can't really think of anything. A lot of the suspense was taken away by my having read the TUF excerpt a while back and seeing Nom still alive and back in Shimrra's relatively good graces, but that's hardly Keyes' fault. Before seeing that, I was really expecting this to be Nom's end.
Oh yeah; there's still the matter of the Ikrit prophecy. Weren't we finally gonna find out how that worked out? I'm happy as long as Anakin stays dead, but whatever the answer is, we'd better get it in TUF.
Ugly:
Everyone seems to be talking about Nen Yim and the rock, but I personally cringed a lot harder when Harrar slipped off the cliff like a punk. "Remember the fight", my butt.
The Unifying Force
by James Luceno
3.8 out of 4
Good:
I have a big post-NJO dissertation-type piece in the works, so I'm gonna spare you readers the fancy composition here and just get down to it.
First things first: The title; my favorite of the series. It has everything; relevance (on a number of different levels), dramatic flair, and a Star Wars feel (of course). It gives a sense of tying up not only the NJO, but the SW saga as a whole.
Boba Fett: If you follow this site enough to be reading our reviews, you've probably heard of the Sernpidal Theory. If not, basically it goes like this: years ago, right after Vector Prime came out, a guy at our message boards named Darth Ludicrous got it into his head that it would be pretty funny if that old crazy mayor guy on Sernpidal, the one who jumps down the hole to kill the dovin basal, was a retired Boba Fett. Though almost no one really thought that that was what Del Rey and Salvatore had intended, the theory found a surprising resiliency through JC in-jokes, people asking VIPs about it, etc. This was also boosted by the fact that Fett was nowhere to be seen for basically the entire NJO. I was one of the biggest supporters of this idea, so you'd think that his finally being included in the NJO through TUF would irk me, or at the very least not be a positive thing, but it turns out to be one of the best parts of the book. The main thing I loved about the Sernpidal theory was the idea of Fett having given up hunting and basically become a kind-hearted hermit type who actually ends up helping Han out. This sort of end was supported, in my mind at least, by some of his final (timeline-wise) appearances before now that seemed to indicate Fett had moved beyond his grudges and was getting on with his life. And now, TUF has basically taken that idea (though I guess I wouldn't technically call him retired) and confirmed it, with the added bonus of him still being alive, as opposed to dying on Sernpidal (though Fett meeting his end due to another monster in a pit did have a nice bit of irony to it). It's a shame that the NJO is over now, because TUF's Fett was exactly the Fett I've been hoping for for the last four years. Bravo.
Kyle Katarn: Finally! With his first "official" EU appearance and by uttering his first "official" EU line, Luceno has ushered Kyle into the mainstream continuity once and for all, taking the next step past his first "official" mention in Force Heretic. No longer can people call the Dark Forces series infinities, or "below" the novels. Yet another great way to begin a new era.
The Selvaris escape: I never expected the most important story in the entire war to begin with fifty pages following the exploits of a Jenet named Thorsh, but it made for an exciting and unique first act. Very cool.
Deaths: Now I see once and for all why they killed so many people off in this series. The only prominent good guy to die in this entire book is Ackbar, and that's not even on-camera. As for the bad guys; Shimrra, Onimi, and *cough* Nom Anor aside, there weren't even all that many big Vong deaths. I liked seeing Nom strangle that punk Drathul, though. Did they plan on killing anyone major in TUF? Personally, I doubt it. Were there moments I honestly thought that Luke, Han, Leia, or Mara might be about to die? Damn right there were. This is exactly what they wanted; the NJO wasn't about half-assedly wiping out popular character for cheap suspense as lots of people complained; aside from Luke at the very beginning, I'll bet they never had any interest whatsoever in killing off the big guys. They just wanted us to think they might. And it worked beautifully. I just hope they continue this policy in any post-NJO stories.
Maybe this is my intense love for the character seeping through, but is anyone else not counting Nom Anor out just yet? If that was in fact his end we witnessed, then it was exactly what I hoped it would be; Nom finally giving up and saying "Aw, the hell with it." The best part is how it happens at a couple different levels over the course of the story; beginning with him deciding to become the prophet again and lead the Shamed revolt; not because he's absolutely convinced they'll win, but because he just can't take Shimrra's BS anymore. And when he finally does meet his "end", it's his own decision to do so; the heroes give him a chance to escape the coffer and he declines. Like Viqi Shesh, some antagonists are just better served by doing themselves in. Like I said, though, I'm not ready to close the book on him just yet, especially with that Denning trilogy coming up. We all know the "no body" rule.
Harrar: There's your proof of the "no body" rule right there. Harrar was the perfect character to redeem in light of Nen Yim's death. His turnaround in the last two books is one of the greatest things about a huge arc like this; he's been around, if not terribly prominent, since almost the beginning, and though the first seeds were planted as far back as Dark Journey, did anyone really see this coming? I definitely didn't.
Alpha Red: AR's ultimate role was quite well done. Not only did it end Dif Scaur's career, but it presented the only real challenge to Zonama Sekot in the entire story. From a story point of view, I admit I never really believed it would get to the planet, but it was nice to see a plausible threat as least present itself.
The Vong's backstory: while there were issues to be found (see below), I generally got what I wanted out of the origin. I think everyone was pretty sure ZS was gonna turn out to be Yuuzhan'tar itself, so the curveball of it being Yuuzhan'tar's offsrping, if minor, was a nice touch. In light of the new information, anyone else think that Yuuzhan'tar's ultimate fate might have been that of Sernpidal's? They seemed to be big on the Yo'gand strategy back then.
Onimi: like Yuuzhan'tar and ZS, this wasn't exactly an enormous shock, but it was nevertheless a well-executed twist. The final confrontation between him, Jaina, and Jacen has incredibly cool and chilling to read. The Vong religious system has lent itself to some fascinating interpretations among the more prominent antagonists, from Nen Yim to Shimrra to Nom Anor, and the fact that Onimi genuinely did believe in the gods, in his own way, was an appreciated touch.
Lastly, I have to applaud the completely unexpected inclusion of Kilik Twilight at the end. My biggest complaint with Tatooine Ghost was that they didn't get away with the painting at the end, and while certain aspects of that complaint aren't really negated here, it was a spectacular way of capping off Han and Leia's role in the EU, and is a perfect example of Luceno's ability to pick out obscure (albeit recent) details and make them matter in the story at hand. The more I think about it, the more important it is to me that TUF is the end of Han and Leia's story. I can live with a cameo or two in the post-NJO material, but we couldn't possibly leave these characters in a better place than the one they're in right now. Ditto for Luke. That's pretty much the best way of describing TUF as a whole for me; it does a flawless job of wrapping things up. Well, almost flawless...
Bad:
So Jaina and Jag get their big conclusion. So do the Jedi, the smugglers, the military, the Vong, heck; even the droids. But what do we get from Jacen and Danni? Squat. Would I have liked to see them together? Yes, especially after the few teases we got in Force Heretic. Can I live with them not being together? For now, sure. But theirs was a plot thread that deserved more than "we thought there might be something, but we changed our minds". I went to the last page still praying for a scene between them, or at least an offhand mention of Jacen deciding to stay on Zonama Sekot, or something like that. I'd been waiting for a payoff on this since the rescue scene in Vector Prime, and I was quite irked to see it just fizzle off into nothing. In fact, I don't recall Jacen and Danni even speaking to each other once in the entire book. Moving on...
So the Vong were stripped of the Force by Sekot. Okay, that's cool. How? Who knows. Will they return to the Force now that they've been redeemed? Couldn't tell ya. How did Onimi get the Force back? I seriously doubt implanting Yammosk tissue into his brain would've done it, so I don't know that either. There really should've been some more specifics at the end; at the very least, a throwaway line that said these were things Luke and Sekot would continue to look into. I was even hoping we'd get to see the first Vong Force-sensitive by the book's end. Like the Jacen/Danni thing, this would be a much bigger problem if it weren't for the Denning trilogy coming up. Hopefully we'll get some more answers then.
Last, and definitely least, I have to bring up the incredibly large amount of typos I noticed. It didn't hurt the experience any, of course; this is The Unifying frickin' Force we're talking about. But it was very strange to see in such an important book.
Ugly:
The typos. Oh, and the roughshod nature of this review. I promise something much more tasteful coming up.
Dark Nest I: The Joiner King
by Troy Denning
3.2 out of 4
Good:
Analogy time.
It will undoubtedly surprise many of you to hear this, but in addition to Star Wars, I read a lot of comic books. One of those comic books is called Powers; it's a crime book set in a city populated by superheroes ("Powers"). A while back, there was an issue starting off a new story that...well, it wasn't about superheroes, and it damn sure wasn't about crime. Without getting into the delightful details, the issue consisted of nothing but dialogue-less monkeys. Monkeys doing...things that nobody needs to see monkeys do. And while the issue ended up making sense in the context of the entire story, no one knew what to make of it at first, and according to a recent interview with the creators, they lost a huge chunk of readers as a result. The artist, Michael Avon Oeming, refers to this occurrence as a way of skimming off the top; of getting out of the way the people who were only iffy about the book to begin with. If you were still onboard Powers after the monkey issue, you were onboard for the whole ride.
If you haven't figured out where this is going yet, The Joiner King is Del Rey's monkey issue. There's a lot of weird stuff going on - Jacen's traveling through time, Jaina and Zekk are rubbing forearms, and man oh man, is Luke on the dark side. And in the midst of all this, we're finally, finally seeing threads from all over the place getting brought together. Luke and Leia are going to find out about their mother. We're apparently going to get a definitive origin for the Corellian System, and who knows what other ancient mysteries. All this would be enough, but let's not forget that there's a bunch of stuff left hanging from the NJO as well - Raynar, Jacen's Jedi status, Jaina and Jag, and of course, was Vergere insane or what?
EU fans have two choices right now. They can take everything at face value and run screaming for the hills, or they can strap themselves in and trust that Denning, Rostoni, and Co. are going somewhere with all of this. They've got another eleven books to show us where, and all I ask for the time being is that, as Denning managed to do reasonably well in Joiner King, they keep it entertaining. Weird, I can handle.
Bad:
See above.
Ugly:
There's one thing I can't handle. C-3PO, at the top of page 40: "I do wish you would stop doing that, Princess Leia. It's most disorientating, and one of these times my file allocation table will be corrupted."
The only thing worse than seeing "disorientating" (which, for
anyone playing along at home, is not a word) out of a professional writer is
seeing it come from a character who's fluent in SIX MILLION FORMS OF
COMMUNICATION!!!
Dark Nest II: The
Unseen Queen
by Troy Denning
Good:
3.5 out of 4
The more I think about it, the more sense it made to have Troy Denning write Star By Star. Between Myrkr in that book, Kr in Joiner King, and the Dark Nest ship in Unseen Queen, it's clear that Denning, if nothing else, is the master of putting our heroes in royally messed-up situations.
Well, maybe he's tied with Stover. He's up there, is the point.
That, more than anything else, is the primary feeling I've been taking away from the Dark Nest books so far: each one manages to raise the bar of how badly we can rough these people up. I'll admit to feeling a little bad for the big three by this point, but I imagine things are only gonna get worse for the next generation over the next few years. Part of me wants to question whether Denning is capable of writing a book where the danger knob is turned down a bit, but Tatooine Ghost proved that wasn't a problem, so I'm left assuming he's simply some kind of sadist.
In any event, I have to admit that the guy knows how to write these characters. I have my issues with his writing style, as discussed below, but I will never fault him for characterization.
Speaking of which, one of my favorite contributions Denning has made to the EU has to be Saba. So many of the NJO-era Jedi have proven to be cranky at best (Corran) and *achem* jerks at worst (Kyp), that it's nice to have at least one stable Master retconned in there. Saba's quirky, to be sure, but there's no EU Jedi more firmly on the light side or more reliable than Saba; she's the embodiment, for me, of everything that I liked about the Old Order. I can't think of anyone better to handle Leia's training - which, incidentally, is now my single favorite aspect of this trilogy. After years of screwing around with Leia's training, it's unbelievably refreshing to see the EU finally buckle down and take care of this.
Bad:
I've mentioned my issue with Denning's handling of GFFA profanity before, so I won't bother going through it again here except to say that it continues. See my Shatterpoint review if you're curious.
What I do want to address, and had meant to cover in my Joiner King review, is Denning's aliens. The Killiks' behavior is annoying at times, and frustrating at times, but they're a hive mind and all that, so it's believable enough that I can endure it. But Denning seems to revel in species stereotypes a little too much for my enjoyment. One of the things I like the most about books by Michael Reaves and Steve Perry (and others) is their ability to handle alien characters in a way that's plausibly strange yet endearingly familiar. Denning, with notable exceptions like Saba and Admiral Bwua'tu (though the latter came close at times), seems to resort far too often to "oh, those mercenary Squibs" and "oh, those meticulous Sullustans". He's proven himself to be better than that, so I don't know why it's so common in his books. Some people are suggesting that Jae Juun is going to be the Falcon's new copilot; I'm okay with that in theory, but I'd like it a lot more if Juun had a bit more Den Dhur in him.
Ugly:
Man, oh man. Crappy back cover copy has been a running joke among EU fans for a long time now, but it just doesn't get worse than this: "Luke, Mara, Han, and Leia must embark on a perilous journey into the uncharted void between right and wrong. The ferocious Unknown Terrors are only the beginning of the awesome challenges that lie ahead in their quest to fathom the unfathomable."
The void between right and wrong? Unknown Terrors? Fathom the unfathomable? I can't think of any clearer proof that the copywriter should be fired than that last phrase. If Ambiguity was an Olympic event, this thing would get the Gold Medal. I take that back; they'd have to invent a new medal that's even better than Gold.
I swear; someday I'm gonna write a book whose protagonists are literally just
sitting around trying to fathom things.
When I reviewed Joiner King several months back, I mentioned a bunch of plot threads that this trilogy was apparently gearing up to address (or at least set up more properly for Legacy of the Force). Figuring that I've said about as much as I can about Denning's writing style by this point (in a nutshell: quirky, but solid; he's the Saba Sebatyne of EU authors), there's little for me to talk about beyond specific plot moments, so it seems appropriate to check back in with those early expectations and see where we stand.
Jacen and the Force: I'm probably one of the few people who's a big fan of Jacen's character, yet still wants to see him go dark in Legacy. I wasn't yet convinced of that eventuality after he inadvertently hurt Ben, and I even gave him a pass on the Ta'a Chume mindwipe, if only because I'd have done the same damn thing. But with all the talk of Legacy's supposed prequel inspirations, I have to admit: when they're watching creepy RotS Anakin tell Padmé "everything's alright now" after the Temple slaughter, and Jacen sees nothing wrong with it, it's clear where this is headed. I suppose it should've been clear from the first words out of Vergere's mouth. It's gonna be damn interesting, but I do wonder what Stover would have to say about it.
Jaina and Zekk: Still creepy, even if they are apparently leaving the Killiks behind now. One thing that's great about Denning is that his books leave a lot of details unresolved (this whole trilogy, after all, came out of a loose thread from Star By Star, which he wrote far too long ago to have known that this opportunity would be coming), so I shouldn't really be surprised that Jaina isn't miraculously cured of her bug-hugging ways at book's end. It'll be interesting to see to what extent her mind-thing with Zekk still exists a few years later; it seems more and more like they might have to kill Zekk off sooner or later. On a related note, another cool dangling thread was Jag's fate, and I suppose to a lesser extent, Alema's. I don't think anybody doubts that we haven't seen the last of Jag, but wouldn't it be interesting if he reappeared with the former Night Herald in tow?
Speaking of killing Jedi off, I would have liked names for the two Jedi killed in the space battle. There are too few Jedi around at this point to just be wasting them anonymously in throwaway lines.
Artoo's history lesson: Pretty much handled the way I expected it, so not a lot to say here. Like I mentioned earlier, Jacen's reaction was a nice touch. Ghent was enjoyable to read about, as well - was he always able to understand binary? - but I'm finding it difficult to continue believing in him as a character. I constantly had to stop during his scenes and remind myself that, at this point, he's 47 years old! I'm not saying that he'd have to have evolved dramatically since his youthful Karrde days, it just seems less and less plausible that he'd still be doing this. Besides, how many 47-year-olds do you know who are the best at anything when it comes to computers?
The Killiks' history lesson: Okay, so we didn't really find out much about the Celestials here, other than the fact that they're called the "Celestials". I do like the idea that the Killiks are under the impression that they've done all this stuff via the minds they've absorbed, but sooner or later, especially since the introduction of the Rakata, they're gonna have to give us some details on these people.
Lastly, Raynar: Once again, I like the lack of a definitive conclusion here. Like Shatterpoint before it, this book does a good job of leaving lots open for further examination; like The Unifying Force before it, I'd be a bit less happy with it if I weren't certain that more answers are forthcoming. Generally, it's been a decent trilogy, but I'm definitely looking forward to the change of pace LotF will provide: familiar locations, familiar characters (Thrackie!), and different authors.
And in lieu of the retired "Ugly" section, let me just say one final thing: Danni! Come back!!
Legacy of the Force I: Betrayal by Aaron Allston
3.8 out of 4
And it begins. If my hopes, and the promise of the first book, come to fruition, Legacy of the Force will go down as the absolute apotheosis (I really like using that word) of the EU. With full knowledge of the Saga to work with, and thirty-five years of novels to build off of, this series could be the perfect capper to everything that's come before. Already the echoes of the past are unmistakable: everyone could see the connections between the choices Anakin faced in Episode III and the ones Luke faced in Episode VI; those of us who've been clamoring for a third trilogy need look no further than this series. Maybe it's not movies, and maybe Lucas didn't write it (a horrible notion, isn't it?), but I for one can't think of a better conclusion to this trilogy of trilogies than one in this era, written by these people, and featuring characters we've come to know, arguably, even better than the Big Three.
But enough of that; I should be talking about the book itself. It's really nice to see Allston get a crack at the big event stuff for once; sure, Nyax was pretty weird, but he's long since paid his dues as a Star Wars author, and I think he does just as good as Denning or anyone else when it comes to relating this universe and these characters. And his writing is, of course, quite funny. One thing I particularly enjoy, though some could argue that it gives the book fourth-wall problems, is the way he plays with the line between in-universe and out-of-universe material: joking about Leia's buns and making "you're my only hope" references on one end of the spectrum, and manipulating the Dramatis Personae in support of the narrative on the other - I don't think anyone else would go so far as to include entries for both "Lysa Dunter" and "Syal Antilles".
Is it me, or is Jaina getting just worse and worse? As a person, I mean; not as a character. Yes, she's cranky, and can be tough to sympathize with, but I like that about her. Considering how logical Jacen is, and who their parents are, all those ill-tempered genes had to go somewhere. It's really quite amusing that Jacen's ended up being the evil one - for no greater a crime than wanting to expand his horizons. That's really my greatest concern about this whole mess - what exactly are they saying by bringing Jacen over?
While I'm in that neighborhood, I should say that I am generally pleased with what's transpired with regard to Jacen, Lumiya, and Vergere. I was sorry to see Nelani, one of the book's many interesting new characters, get the axe so soon, but even a Gorax could've seen where that was going. I particularly like that, despite the big influx of divergent Sith thinking, Vergere is essentially the same being she was before. Assuming everything Lumiya says is to be believed (which is quite a large assumption, I admit), Jacen's reaction to the information mirrored my own: it all made complete sense. I'd love to get a short story on her going after Palpatine, in fact. The largest of my old questions, however, has yet to really be addressed: what was Lumiya doing all this time? The most plausible answer is that she had some inkling of Jacen's destiny, and was waiting for him to be ready, like Obi-Wan and Yoda were for Luke and Leia, but if she's not completely on the up-and-up, and conquering the galaxy (or some such) really is her goal, is seems weird that she would bide her time for so long. For that and other reasons, I'm really hoping that Lumiya really is what she seems. I'm comfortable with them taking Jacen in this direction, despite my general support of the Vergere school of thought, just as long as they don't undersell it. I don't want the whole Darth Vectivus thing to turn out to be a trick - "Muahaha! Now Jacen is evil like us!!" - if the final word here is going to be that the Dark Side is inherently bad, I want to be fully convinced of that. As long as that area is handled well, and I suspect that these authors are up to the task, there's little that could spoil this series for me.
The best part, though, is still the war itself. The real tragedy of the prequels is that so much good work was being focused in the wrong direction by one all-powerful malevolent force. Lumiya and Jacen notwithstanding, the Corellian War (as I'm preemptively dubbing it) is the GFFA's chance to really work out all its issues and start functioning like a united government again. The NJO was great, but I really like the prospect of seeing a genuine Clone Wars-style civil war in the post-Endor galaxy; the Galactic Civil War of the OT and the Vong war were exciting and, of course, necessary, but in both cases, one side was really obviously the bad guys. Now, as Leia says near the end, both sides...are "us". That makes the drama far more interesting.
Legacy of the Force II: Bloodlines by
Karen Traviss
3.8 out of 4
Maybe Jacen killing Nelani Dinn in cold blood should've been enough, but it wasn't until now that I was completely convinced that the Chewbacca bubble remained burst for the post-Endor EU; in other words, this remains very much a universe where Things Happen. The visceral blood-and-guts atmosphere of the NJO may have taken a backseat to the more traditional swashbuckling what-have-you, and the shockingly alien Yuuzhan Vong may have given way to a good ol' Jedi-cum-Sith story (but, y'know, intelligent), but Kyp Durron this ain't: what's happening here, even in the theoretically "peripheral" paperback material, will Change Everything From Now On.
And not just with Jacen. The most shocking part of Bloodlines, and the pivot upon which the second half of the book turns, is of course Ailyn Vel's death. And it's not even the nature of her death that makes it such a big deal - it's important, of course, and it's certainly the beginning of the end for the fragile Solo family, but that's not what I kept coming back to in my head as I completed the book. What I couldn't stop thinking was "Han's son killed Fett's daughter! Han's son killed Fett's daughter!!"
Until The Unifying Force, Boba Fett's final chronological appearances were in the short stories No Disintegrations, Please and The Last One Standing (okay, there was his ultimately-retconned appearance in the YJK books, but let's just be glad they fixed it and move on with our lives). Both stories depict an aging Fett seemingly ready to cast aside his old grudges, or at least too old and tired to bother with them. When we eventually saw him leading a group of Mandalorian warriors into battle against the Vong, things fit quite well: he'd clearly gotten tired of the same old bounty hunting shtick and had returned to his roots. That, of course, laid the groundwork for his status in the Legacy era, where everything seemed to imply that the "Whose side are you on?" mentality (apologies to Marvel comics) of the Corellian War was going to leave Fett working grudgingly alongside Han Solo for one reason or another.
It was a tantalizing notion, and sure enough, we get to see it to a limited extent, but Ailyn's death took a barely-existent plot thread to which I've been clinging hopefully for several years - the mellowing out of Boba Fett - and smashed it all to pieces. And I couldn't be happier for it. It would've been so very easy to bring Fett and his Mandalorians into the war on the side of the Corellians in some fashion, and it would've been interesting to see, but once the novelty wore off, to be honest, it would've taken all the life out of Fett's character. The jarring death of his daughter sending him back to Mandalore to pick up the pieces of his family may take Fett back out of the spotlight for now (until Traviss' next book, I'd imagine), but it's what the character needed, and more to the point, it's real. A lot of authors, Traviss included, refer to their writing less as crafting a plot than as setting a situation up and simply letting events unfold of their own volition, and Ailyn's death is one of the rare instances in the EU where it really feels that way; where it feels like an unfolding reality instead of "wouldn't it be cool if this happened". Now if only we could get them out of this "every five years" kick...
And speaking of Ailyn, her involvement in this story in and of itself is another thing I like a lot about it, and another example of the trend towards Star-Wars-as-a-reality. For the first time, we're seeing real development going on in the cracks of this universe; development that affects the major literature. Ailyn started life in a Tales story, after all; one that, thanks to the Infinities label, could just as easily have been disregarded entirely. Ailyn's life (and name), instead, was then fleshed out by Abel Peña, an author who, as rightfully beloved as he is by us internet people, couldn't be more on the periphery of the Star Wars franchise if he tried. Nevertheless, Bloodlines, Ailyn's first genuine, non-retconned role in a book, couldn't have been what it was were it not for his work.
And Traviss more than proves herself capable of handling these disparate sources with ease. Boba Fett's history is related to us in a completely authentic fashion, leaving no stone unturned, from Peña's History of the Mandalorians article to A Barve Like That, to the Boba Fett young adult books, and naturally, to Traviss' own recent e-novella A Practical Man. And this breadth of source material is further proof that Star Wars is becoming more like a reality than the series of self-contained Events so much of the post-Endor timeline represented. In other words, these characters are constantly living their lives, having children, growing up, falling from grace, dying, and so on, whether we happen to be observing it or not. What more could a continuity fan want?
Legacy of the Force III: Tempest by Troy Denning
3.6 out of 4
While reading Exile the other day, I finally realized why i'd had such trouble figuring out what to say about Tempest.
It's not a bad book. It's a good book. Or rather, the plot is good. I liked everything about it as far as the development of the story is concerned; Alema defies all reason by continuing to be an interesting antagonist, Aurra Sing makes an intriguing return (well...briefly), and Jacen - well, he opens fire on the freaking Falcon! It's intense, gripping, and coming along nicely.
What I realized is that, well, Aaron Allston is the master of humor in the EU. Likewise, Karen Traviss (okay, depending on whom you ask) is the military expert, Luceno is the continuity guy, Stover is Mr. Grim & Gritty, et cetera. I can't think of anything that Troy Denning does so well as to stand out in any way. I have found some things about his books that are unique, but not really in a good way - overly stereotypical alien characters, for example. He's a fine writer, and he's produced some great books, but that greatness has been entirely dependent on plot, whereas certain other SW writers can (and have) made interesting books out of premises that are only so-so.
I guess you could look at it as a good thing. Again, I'm not really saying anything bad about the book, I'm just explaining why it was hard for me to review. The current crop of Star Wars authors is nothing if not diverse, and while some have caused their fair share of controversy, no one will argue that they all stand out. Denning's narrative voice, on the other hand, almost seems to be the EU's "Default" setting these days. Not bad, just...standard.
Legacy of the Force V: Sacrifice by
Karen Traviss
3.8 out of 4
Well, after a little over five years, this will be my last TFN book review. That Sacrifice came out in May, and it's now October, should be all I need to say to explain why that is. And since it has been a while now, I have no need to shy away from the big spoilers (not that I would anyway, I guess) in the book...
People change. I've always been very lenient when it comes to characterizations of the main characters in the EU, because while it is possible to write Luke and Co. poorly, there are also many different reasons why they would act differently in different books - people change over time, obviously, and even when looking at a short amount of time, you probably don't act exactly the same around your parents as you do around your friends. Or at school/work compared to at home. Or in a comfortable environment compared to when you feel threatened. And so on. And there are probably days when you wake up in a weird and uncharacteristic mood for no particular reason whatsoever, simply because we're complex beings.
Applied to the EU, this means that just because Mara doesn't act in Legacy of the Force like she does in the NJO like she does in the Thrawn trilogy doesn't mean it's bad writing. Just because Luke doesn't treat Lumiya the way he'd treat Raynar the way he'd treat Vader doesn't mean the authors don't understand him. And because this wonderful continuity of ours is maintained by a team of caring and intelligent folks (even if we don't always agree with them, either), when confronted with stories where hindsight reveals characters doing things that, let's face it, really are completely unbelievable, we can always come up with a nifty in-universe retcon for it.
With all that in mind, it's safe to say I didn't enjoy Mara's softening up in the NJO. I'm more interested in her as a fierce and clever secret agent-type - special forces/espionage training isn't inherently evil, and there's no reason to assume it'd go away just because she's become a "good guy". I didn't complain about it during the series because even though it doesn't suit my personal taste for the character, it is a logical development for someone entering middle age and starting a family. The training would still all be there, though, and it's been great to see that aspect come back to the forefront in response to a serious threat to her child's well-being. The nature of this series, and of Jacen and Ben's relationship, meant that this development would probably have been inevitable in some fashion, but Karen Traviss really seems to be approaching her novels from this perspective, and she makes a noticeable effort to push that interpretation rather than acting as if she's always been the way she happens to be in this story, and I'm really happy to see it. Sadly, the nature of this series also means that...she had to die. She's too competent to not have gotten quickly to the bottom of the threat as soon as she really became committed to it, and Jacen's too powerful (whether you're willing to buy him as a Sith Lord or not) for her to take down on her own, so when you put the field into play the way they've chosen to do so here, this was pretty much inevitable.
And the best thing about it is the Sith threat, and Mara's death in particular, will now allow Luke to change a bit as a character as well, which Traviss also handled (to the extent it was possible within this chunk of the story) in a similarly self-aware fashion. Yes, Luke has become a very hesitant and dispassionate character lately. Does it irk you? It should - it makes him less effective as a character because his strength lies not in management and order, but in making bold decisions and striking out on his own to do what his heart tells him is right. But that's not the same as him being out-of-character, and the evidence of this is seen in Luke's own reflection upon this very issue - he knows he's changed, and he doesn't like it, either. The sad truth is that the Luke of the Thrawn Trilogy era wouldn't have let Mara go off alone and get killed, and if it takes Mara's unfortunate demise to point that out - to him as much as to us - then it's fine by me. I just hope the rest of the series lives up to that realization.
On the actual logistics of the story, though, I was a little annoyed that the book closed without Jacen's guilt officially known by his family. Ben seems to have a pretty good idea, and I'm hoping that will play itself out promptly, I wouldn't be surprised if Inferno backtracks on that a bit and gives us a Ben who's only slightly suspicious of Jacen, rather than half-convinced of the truth. It's a forced playing-for-time strategy that I've seen in a lot of stories, and I'm hoping they'll prove me wrong here.
Similarly, I feel like the unanswered questions about Lumiya's past (what she was doing for forty years, how she got involved with Vergere) are being neglected here, and while I can't imagine the authors have genuinely forgotten to resolve that issue, Lumiya's apparent death doesn't make me terribly confident that we'll be getting answers anytime soon.
I've made an effort in the past to mention that I'm a fan of extraneous and digressive material from time to time - the security monad in Yoda: Dark Rendezvous being the best example. I'm not seriously expecting Traviss' big Mandalorian plot to have no relevance to the greater story down the line, but the point I want to make here is that even if it didn't, that doesn't make it inherently worthless. One of the things that was most lacking in the NJO, something that I think a lot of people still want to see today, is sideline details. All the NJO really had was the occasional plot bunny that was intended to become important later, but fizzled out; the result is that now we know very little about what things were like behind the scenes during the Vong war, and we're having to get filled in on a lot of it long after the fact, like with Traviss' A Practical Man eBook. Granted, some of you apparently could give a crap what the Mandalorians were doing during the war, but I like stuff like this, and I personally feel that their arrival in The Unifying Force would've been more satisfying in we'd seen the events of APM beforehand.
Getting back to characterization for a second, I like how Traviss handles Boba Fett, but he's a fundamentally different kind of character from Luke and the others, so the traditional rules of development and evolution don't necessarily apply here. Fett, essentially, is the GFFA's Batman. If you were to look at real-world examples of people who suffered some horrible trauma in early childhood, you'd probably decide that even though it can affect the way you grow up in interesting ways, seeing your father eaten by an alligator at the age of twelve will not make you put on a costume and spend the rest of your life fighting reptilian aggression as the Astounding Anti-Gator. If anything, the younger you are when such a thing happens, the less of an effect it has on your adult self.
Batman, of course, is still a compelling character, and the fact that "dead parent = lifelong obsession" is an unrealistic assertion is just part of the necessary suspension of disbelief. The same goes for Fett being motivated by Jango's death the way we see in Traviss' work with the character; it's not realistic, per se, but neither is a human being the best bounty hunter in a galaxy filled with species who are physically and/or mentally superior to him in a variety of ways, so I'd much rather take that pill along with an unrealistic motivator than with something more pedestrian - before AotC, as far as anyone knew, Fett's whole deal could've been that he just really liked money. And/or killing things. Faced with that, I'd much rather accept "I need to be the best or ghost daddy won't approve of me". The interesting part here is that Star Wars doesn't work the same way that Batman works - there's a real timeline at work, and a finite beginning and end to this character's existence. That means that it's still possible for realistic development to occur, it's just a little harder, because it has to be chained to his original motivator in some way - if Boba Fett's going to start running the Mandos, or adopt Mirta, or whatever, it's got to be because he's convinced Jango wants it. It's a different way of looking at things, but it's no less interesting, and I'm anxious to see how it continues, especially when it inevitably collides with Jacen's development. And it will.
Since I'm on the Mandalorians, I can't help but comment on the implicit Goran/Medrit relationship. Part of me really wants to make a big impassioned statement here, because Star Wars' relationship with homosexuality has been one of my bigger axes to grind for a while now. I've thought about it, though, and everything I might say on the matter can pretty much be boiled down to one sentiment - ignoring homosexuals is making just as much of a statement about them as is showcasing them, whether positively or negatively. When a debate concerns the very nature of the species at the center of your fictional universe (which is another of my GFFA axes, but I won't get into that now), there is no avoiding it - even if you think homosexuality is a choice, that doesn't negate the fact that people are making that choice, and in a body of work that includes literally thousands of separate human characters, LFL producing fifteen years' worth of stories (charitably) without a single gay human is not neutrality; it's cowardice.
Lastly, I guess I'd just like to say that for all the debates that have arisen since Karen Traviss got involved in this universe, and in spite of whatever failings she might have as an author overall (though some of you see way more of them than I do), she is an example of the kind of creator I want to see as much of as possible from Star Wars in the future. Being truly invested in this universe should mean having points of view, axes to grind, and, yes, agendas. You can disagree with the particulars, but I've never seen anyone suggest that Traviss doesn't care, and as long as she's bringing that passion and insight to her SW writing, along with people like Aaron Allston, Michael Reaves, Michael Stover, and God willing, Sean Stewart, I'll always take that over another lifeless Denning novel. There, I said it.
